Transitions
Click the + on a cut, or drag a transition from the Transitions tab onto it. Drag the transition's band to change how long it lasts.
Mosh transitions last exactly as long as their band, then a fresh keyframe brings the next shot back clean (turn Resolve at the end off to let the melt run on). Classic transitions blend the two shots.
Mosh transitions
| Transition | What it does |
|---|---|
| Melt | The keyframe at the cut is removed, so the next shot's movement drags the last picture around until it resolves. |
| Bloom melt | Melt, then the first movement of the next shot repeats, so the old picture smears and erupts outward. |
| Glitch cut | Melt with a burst of corrupted data around the cut: blocks tear and rain. |
| Stutter melt | Melt, then the motion rocks back and forth in short loops. |
| Liquid melt | Melt with flow-warped, amplified motion for a silky, liquid smear. |
| Ghost melt | Melt with echoed motion, so the movement doubles up like a ghost trail. |
| Rewind melt | Melt with the next shot's motion played backwards, so the old picture folds and un-melts. |
Classic transitions
| Transition | What it does |
|---|---|
| Cross dissolve | The two shots overlap and fade into each other. |
| Dip to black | Fades out to black, then in to the next shot. |
| Dip to white | Flashes to white between the shots. |
| Wipe left | The next shot slides in behind an edge moving left. |
| Wipe right | The next shot is revealed by an edge moving right. |
| Wipe up | The next shot is revealed from the bottom up. |
| Wipe down | The next shot is revealed from the top down. |
| Slide left | Both shots slide left together, like turning a page. |
| Slide right | Both shots slide right together. |
| Circle open | The next shot opens out from a growing circle in the middle. |
| Pixelize | The picture breaks into big pixels and re-forms as the next shot. |
| Whip left | A fast pan: both shots blur past to the left. Keep it short (0.2–0.4 s). |
| Whip right | A fast pan to the right. |
| Whip with the motion | A fast pan that goes the way the picture is already moving (from a tracked object or a keyframed move), so the cut feels thrown. Keep it short. |
| Circle crop | The first shot shrinks to a circle and goes, then the next grows out of a circle. |
| Box crop | The first shot shrinks to a box and goes, then the next grows out of a box. |
| Doors open | The first shot splits down the middle and opens like doors on the next. |
| Dip to grey | Fades through flat grey, like an old film leader. |
| Grainy dissolve | The next shot comes through as scattered grains instead of a smooth fade. |
| Zoom through | Rushes into the first shot and out into the next. |
| Blur dissolve | Both shots blur as they cross, then the next one sharpens. |
| Clock wipe | The next shot sweeps round like a clock hand. |
| Diagonal wipe | The next shot comes in from the top-left corner. |
| Squeeze | The first shot squeezes to a line, the next springs out of it. |
| Circle close | The first shot shrinks away into a circle in the middle. |
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